No Time to Lose: A Search for Work / Life Balance


WORK, WORK, WORK – a series of seminars on Art and Labour at Iaspis by notimetolose

This looks great and I’m disappointed I’ll be missing it as I was in Stockholm in October and will be returning in January…

Mladen Stilinović, "Chinese Business," 2009 (detail). Collage.*

The seminar series at Iaspis discusses the image of work, the worker and the workplace in relation to diverse strategies within contemporary art. What roles are played by spatial organisation and activism? What concepts are the descriptions of artistic production and labour framed by? What ideologies are involved in the production of the artistic subject? Is the artist a role model for the contemporary “post-fordian” worker—flexible, creative, adaptable and cheap—a creative entrepreneur within an advanced service economy?

The first seminar treats contemporary and historical images of labour, and reflects on what type of “worker” the artist could be. On the Conditions of Production brings up the organisation of work within the art world. The third seminar discusses what role art can play—politically and socially—in relation to the public realm and spatiality. Artists, curators, activists, architects and researchers are contributing to the seminars.

The program is curated by Michele Masucci (artist), Annika Enqvist, Cecilia Widenheim and Jonatan Habib Engqvist (Iaspis). For further information http://www.iaspis.se

Seminar#1: Representations of Labour
20 November 10 am – 6 pm

What is the image of work? How and by whom has this image been produced? What are the means of production involved in artistic representations of workers, workers movements and the workplace? What are the theoretical and practical challenges in these representations? How is the role of the artist presented and what kind of “worker” is the artist? The seminar addresses what work is and has been through experiences of work and questions concerning migration, economy, class and technology.

Participants include: Annika Eriksson (artist, Berlin), Kirsten Forkert (artist/researcher, London), Ingela Johansson (artist, London), Stefan Jonsson (writer, Stockholm), Maria Lind (curator, Stockholm), Sarat Maharaj (writer, London/Malmö), Pratchaya Phinthong (artist, Bangkok), Joanna Sokolowska (curator, Lodz), Nina Svensson (artist, Stockholm)

Seminar#2: On the Conditions of Production
27 November 2 pm – 6 pm
28 November 10 am – 5 pm

A two day workshop hosted by a research group initiated by BAC (Baltic Art Center) in Visby. What are the general terms of production in society at large? How does economy, cultural politics and media relate to art? What does alienation imply in an increasingly socially oriented production process? What is the distribution of labour within the art world; what are the pros and cons of today’s system? Could one imagine an open working process, independent from predefined expectations? How can one organise a production-based residency today? The Open Call for Contributions aims at opening the ongoing research process and add to the discussion. In order to contribute and participate, please register by email to ontheconditionsofproduction@gmail.com

Participants include: Kajsa Dahlberg (artist, Berlin), Kim Einarsson (director Konsthall C, Stockholm/Berlin), Mattìn (artist, Berlin), Michele Masucci (artist, Stockholm), Lisa Rosendahl (director BAC, Visby/Berlin), Fredrik Svensk (writer and critic, Göteborg), Alexei Penzin (philosopher, Moscow) and contributing practitioners.

Seminar#3: Art for Social and Spatial Change
3 December, 5 – 9 pm
4 December, 10.30 am – 5.30 pm

Two days revolving around the question of what it means to take action today. The conversations include intersectional perspectives on labour and the so-called creative industry. What are our possibilities to act within an artistic practice in social, spatial and political change? In what way are conflicts concerning work expressed in the workspace and in society? How is public space staged in the private? How can emancipatory political projects such as the feminist and queer movements separate themselves from an increasing commodification of political and social subjects? Is it possible to imagine a “movement” in the sense of a collective process of the transformation of reality today?

Participants include: Lars Bang Larsen (writer and curator, Barcelona), Franco Berardi (researcher, Bolongna), Ana Betancour (professor architecture, Göteborg), Catharina Gabrielsson (architect and reseacher, Stockholm), Helena Mattsson (ass. professor and architect, Stockholm), Raqs Media Collective (artists and activists, New Dehli), Nina Power (researcher, Roehampton) and Judith Revel (philosopher, Paris) among others.

On display, “Chinese Business” by Mladen Stilinović (Iaspis, 2009)

The series takes place at Iaspis in relation to the exhibition Image at Work produced
by XpoSeptember in collaboration with Index, The Romanian Culture Institute and Moderna Museet.

Iaspis, Swedish Arts Grants Committee
Maria skolgata 83, 2nd floor
Stockholm, Sweden
http://www.iaspis



“MASHING UP” : Art+Labour … a public conversation by notimetolose
October 19, 2010, 10:03 am
Filed under: activism, events | Tags: , , , , , , , , , , , , , ,

“MASHING UP” :
Art+Labour
a public conversation

CCA 5
Tue 9th Nov 2010
12.30-6pm

Art+Labour is a public conversation exploring the conditions and experiences of creative labour in the cultural industries – working conditions, pay, working hours; freedom and autonomy, pleasure and obligation; insecurity and uncertainty; social reproduction, networking and isolation – and artists’ organising within it – unions, artists’ associations, or self-organised studio/exhibition spaces.

What diverse forms of employment do artists undertake? Who are their employees? How secure and how flexible are these forms of employment? What are the conditions of employment and how are these changing? What can we say of artists’ autonomy in relation to contemporary labour practices? How do cultural workers effectively organise around labour issues? What would it mean for artists to withdraw their labour in defence of conditions in one’s primary or secondary employment? With successive governments’ emphasis on arts’ social function, how does communality express itself in competitive Creative Industries? What is industrial about the Creative Industries; where do ‘Cultural’ producers sit within the policy frame of the ‘Creative’ Industries? How do we as cultural producers recognise our own positions and dependency on/within/alongside the public sector? With the entrepreneurial restructuring of the arts in Scotland and in the face of selective public sector cuts throughout the UK, how constructive are artists’ isolated appeals for a state of exception? What is so unique about artists in the social factory?

These are some of the questions to be addressed during this public conversation. The discussion is open to anyone – cultural workers, artists, students, interns, precarious and self-organised labour affiliated to academia – concerned with issues of art, labour and economics. The event will begin with a series of short position statements from invited speakers followed by discussion among panelists and audience.

Panelists include:

  • Angela McRobbie
    Professor of Communications, Dept. of Media & Communications, Goldsmiths
  • Scottish Artists Union
    The representative voice for artists in Scotland
  • Graham Jeffery
    Reader: Music and Performance, The School of Creative and Cultural Industries, UWS
  • Katarzyna Kosmala
    Reader, Centre for Contemporary European Studies, UWS
  • Gesa Helms
    Researcher & artist
  • Brett Bloom
    Member of Chicago-based art collective Temporary Services who recently produced ‘Art Work : A national conversation about art, labour, and economics’
  • Owen Logan
    Researcher, School of Divinity, History and Philosophy, University of Aberdeen
  • Facilitated by Gordon Asher
    Effective Learning Tutor, UWS Centre for Academic & Professional Development

Event is free but ticketed, tickets available from CCA Box Office:
CCA, 350 Sauchiehall Street, Glasgow G2 3JD
tel : +44 (0)141 352 4900
http://www.cca-glasgow.com



Latest links by notimetolose

Since concern about work/life balance — rather the growing lack of it! — seems to have only grown since NTTL was presented at Peacock Visual Arts in 2008, I’ve decided to continue posting links and other information here as part of an ongoing commitment to this project.

Here are a few items that have come up recently, that I’d like to add…

1) Another exhibition

Workers Leaving the Workplace exhibition curated by Joanna Sokolowska– Muzeum Sztuki in Lodz – 06.07 – 05.09.2010

The point of departure for the exhibition are contemporary changes of labour and production referred to by researches as „post-fordism” and connected with the development of the global information society and economy based on services and knowledge. This model of economy has extended the traditional borders of productivity by a complex and diverse set of social, intellectual, emotional and communicative processes, thus leading to engagement of workers` and consumers` subjectivity into cycles of production and reproduction of capital beyond fixed hierarchies and categories. Labour viewed from this perspective becomes biopolitics: management of life, creating its new forms. Productivity enters areas it used to be separated from: these of free time, entertainment, aesthetic experiences, social involvement, political action and housework. The requirements of constant efficiency, self-education and flexibility in adjusting to the constantly changing conditions also known today as self-improvement have caused us not to cease producing capital even after leaving our workplace.

The exhibition will debate three main intertwining themes: industrial labour, broadened and hybrid character of contemporary productivity, an artist‘s work and economy. The works focused on industry or its remnants will examine labour processes connected to the factory incorporated into immaterial flows of meaning, that determine in fact entire production cycles. The artists who position labour within the wide field of social and generic activities will particularly concentrate on an ambivalent, flexible and elusive dimension of work today, which often makes the worker function on the verge between self-realization and (self)exploitation. To what extent are the artistic practices – operating with and reprocessing after all images and meanings – reliant on the current transformations of capitalism? What kind of economies might be conceived by the artists, what is their potential to break away from the dominant modes of production?

In relation to the exhibition two new works are being prepared: Janek Simon’s project at Alaba International Market in Nigeria and “The History of the Bomb” by Roman Dziadkiewicz

The Workers Leaving the Workplace project further develops some questions raised by the exhibition Arbeiter verlassen die Arbeitsstätte at the Galerie für Zeitgenőssische Kunst in Leipzig in 2009.

Artists: Joseph Beuys, Rafał Bujnowski, Roman Dziadkiewicz, Miklós Erhardt, Harun Farocki, Aleksandar Batista Ilić (in collaboration with Ivana Keser and Tomislave Gotovac) Kristina Inčiūraitė, Piotr Jaros, Ali Kazma, Jean-Luc Moulène, Frédéric Moser & Philippe Schwinger, Peter Piller, Martha Rosler, Mika Rottenberg, Janek Simon, Škart, Mladen Stilinović, Mona Vătămanu & Florin, Tudor, Ingo Vetter, Haegue Yang, Artur Żmijewski

For more information, contact: Joanna Sokolowska — j.sokolowska@msl.org.pl — or visit http://www.msl.org.pl/


2) Creepy news that is not about being flexible but rather about justifying cuts to social security

“British should set their own retirement age”, The Times (UK) via eurotopics

The British government plans to prevent employers from retiring employees aged 65 who want to go on working. The daily The Times is delighted: “In earlier decades, when employment was dominated by manufacturing, workers were a drag on productivity as they became physically weaker. But in an economy characterised by the provision of services and the application of knowledge, older workers contribute far more. A default retirement age is neither a boon to them nor a way of improving the productivity of the workforce. On the contrary, it adds to one burden that an ageing society does impose, namely the expanding costs of pension provision. The proposal to abolish the DRA would ameliorate that problem by its symbolism. In indicating that older workers have an important contribution to the world of work, the Government may persuade many of them to stay within it. They will pay taxes as well as draw pensions.” (30/07/2010)

3) Omega Interventions: Burnout-Performance

For more info, visit: http://www.rebelart.net/diary/omega-interventions-burnout-performance/005820/

4) They don’t because they can’t…

Canadians not using their vacation time
Talbot Boggs, The Canadian Press
(Special) – Canadians aren’t getting enough – vacations that is.

“A new Harris/Decima poll has found that although Canadian workers have an average of 19.68 days a year off, almost one quarter don’t use all their vacation time and give back an average of 2.17 days.

The most common reasons Canadians give for not using their full vacation time include not scheduling their vacation well enough in advance, they are too busy to get away or their significant others are not able to get away from their jobs.”

Read more: http://finance.sympatico.ca/home/canadians_not_using_their_vacation_time_/125050dd



It’s finally here! by notimetolose
April 12, 2010, 4:37 pm
Filed under: artists, contemporary art, publication | Tags: , , , , ,

Our publication, No Time to Lose: A Search for Work/Life Balance, has finally arrived!


Staff at PVA report that it looks great! My copy should be reaching me by mail in a few weeks.

Information about how to order your very own copy coming soon!!



What is the good of work? by notimetolose
October 19, 2009, 1:32 am
Filed under: events, ideas, interactive | Tags: , , , ,

Reposted from e-flux via CCS Bard…

A series of talks…

Wyoming Evenings: What is the Good of Work? (1/4)

What is the good of work? How and why did the sixties and seventies vision of a future defined by leisure change into the reality of an exhausting life of increasingly purposeless work? What are the implications of the shift from a Fordist model of production to a post-Fordist one? Why is work valorized in contemporary society? What happened to the radical potential of labor? What can we learn by examining its various critiques, from those expressed in the Middle Ages and up through the strategies employed by the Situationists and others? Unemployment is becoming a reality for an increasing number of people. How might we think of unemployment as an artistic and philosophical category?

These questions will be examined during four events at the Goethe-Institut Wyoming Building in the East Village. Each event will involve two guests–one artist and one cultural producer of another kind. Marysia Lewandowska and Peter Fleming will be the guests at the first event on October 17, 2009.

Marysia Lewandowska is a Polish-born, London-based artist and a Professor at Konstfack Stockholm. Her past and current projects reflect the ways in which institutions determine the exchange of values between art and its publics. She is currently developing Women’s Audio Archive as part of her residency at the Center for Curatorial Studies, Bard College (CCS Bard) in Annandale-on-Hudson, NY.

Peter Fleming is professor of Work, Organization and Society at the Queen Mary College (University of London). One of his areas of research concerns the cultural politics of work organizations and the modes of ideological control that operate to enlist the participation of labor.

Events to follow in this series:

December 5th, 2009. 4pm
Marion von Osten and Tom McCarthy

January 30th, 2010. 4pm
Liam Gillick and Gianni Vattimo

March 13th, 2010. 4pm
Carles Guerra and Michael Hardt

For more information: http://www.bard.edu/ccs/exhibitions/sites/exhibition.php?g=680534&type=1



Interesting project… “Company. Working in Berndorf” by notimetolose

Check out this intervention that started in 2007, will launch as an exhibition in fall 2009, and will be released as a publication in 2009/2010… very cool. Monika found it online and passed it on…

website_berndorf_collage_1_01http://zoblschneider.net/index.php?id=32&L=1



/unvermittelt [ … for a concept of labour beyond overwork and lack of work] by notimetolose

NGBK BERLIN
13 December 2008 – 1 February 2009
Opening: 12 December, 19 h

/unvermittelt
/unvermittelt

… for a concept of labour beyond overwork and lack of work

Participants: Absageagentur, bankleer, Bildwechsel, chto delat, Chor der Tätigen , city mine(d), Die Heilige Kirche der letzten drei Arbeitstage, G-bliss productions, Sascha Göttling, Institut für Primär-energieforschung , Kiez ->To Go, m7red , Karin Michalski / Renate Lorenz, Netzwerk Grund-einkommen, Private Emission Trade, Sabotage-agentur, unhaltbar/leere Versprechungen, UNWETTER, Malte Wilms, Zene na delu – und die Projektgruppe „/unvermittelt“ der NGBK: Danijela Cenan, Uli Ertl, Frauke Hehl, Rut Waldeyer und Nadine Wothe

About 50 activists, initiatives, artists, theorists and opinion leaders from throughout the world have been invited to redefine the concepts of work and of being active under the motto “practice, method, scope“. The project began in January 2008 with a series of lectures and workshops. Since August, a number of interventions have taken place in Berlin public space. From 13 December, the participants will be showing what they understand by a collaborative and mutually supportive space to think, explore the scope of possibilities and act, in the exhibition space at NGBK.

The exhibition presents both the processes involved – workshops, campaigns, radio and film productions, artists’ actions and political interventions in urban space, as well as the results – films, posters, songs and other acoustic works, sculptures and documentary material.

/unvermittelt will be accompanied by a publication in German. ISBN: 978-3-938515-21-1.

At the evening opening at NGBK the Chor der Tätigen will be singing pop-songs on the topic of work together with “Judiths Krise”.

/unvermittelt is a project of the New Society for Visual Arts, its patron is Berlin’s Senator for Integration, Labour and Social Issues Dr. Knake-Werner.

Catalogue ISBN: 978-3-938515-21-1
www.unvermittelt.net

http://ngbk.de/site/index.php?option=com_content&view=article&id=117:unvermittelt&catid=11:exhibitions&Itemid=35



A hammock, but not enough me-time for artist by notimetolose

This great review was published in The Times on Tuesday, July 22, 2008.

Visit the link above to view this article online; the text is re-posted below in case the article is only available temporarily.

A hammock, but not enough me-time for artist
Mike Wade, The Times, July 22, 2008

A man lies sleeping in a hammock alongside a vast block of ice, whose meltwater is slowly draining into empty whisky bottles. By night, he awakes and spends all his time making labels for the bottles, using images which have been generated on a computer by signals from his brain.

For enthusiasts, Tobaron Waxman’s creation at the Peacock Visual Arts gallery in Aberdeen is an eloquent protest against the dominance of work in our lives, as it encroaches remorsely into our “me-time”. For those of a more sceptical bent, it is just another example of what happens when you let a conceptual artist off the leash.

Mr Waxman, an “inter-disciplinary time-based artist” from Toronto in Canada, appeared modest about his creation, refusing to pose in his hammock for photographers who had arrived to record his latest work. However, no one could dispute that he has applied the full force of his mind to Block of Ice + 1/60.

Seeking to demonstrate how the tyranny of labour intrudes into every second of our lives, over the next four days Mr Waxman will attach electrodes to his head before he drifts off to sleep. These will measure his alpha wave activity – electromagnetic oscillations inside his head – while he is unconscious, creating a form of biofeedback.

The data in turn will be transformed by specialised software package and will be used to power a pre-set internet search for pictures of labouring people on a computer located near by. Finally, the images that are collected will be projected on to the 80cm³ ice block, creating a “dynamically changing collage animated by my brainwaves,” said the artist.

Paradoxically, although visitors to the gallery will only see Mr Waxman asleep, he said his work sends a message of support for workers in Aberdeen and the world over.

“This is very much a gesture in empathy with the exploited, whether the labourer is an office worker, or someone sifting through garbage in a landfill, it is meant to remind us here about the privilege which we enjoy – and to connect us with workers across the world as part of a global ecology of labour,” he said.

Over the four days of the show, the block of ice is expected to melt away. During that time its meltwater will

be filtered, and drained into empty whisky bottles, donated by the Glenfiddich distillery. Mr Waxman’s own waking activities begin after dark, when he will make labels from the image of labour, to stick on the bottles, forming an edition of 500 of “unique sculptural pieces” for sale. All proceeds will be sent to a drinking water charity which operates in the Middle East.

Mr Waxman, who is in his thirties, studied at the Art Instiute of Chicago and produced an early version of his latest work ten years ago. That first installation had been a response to the disabling impact of a sleeping disorder, he revealed. Suffering from extreme exhaustion, inflammation of the joints and unable to walk without the support of sticks, the artist found that the problems of disability were not recognised by any aspect of society.

“In trying to describe how I was feeling I said I felt like a block of ice, to help people outside of my body understand that feeling of stasis of being frozen in place and not being able to produce, in the way that people are expected to be productive,” he said.

Mr Waxman added that though he was now physically fit, the experience had become “a palette for my artmaking.”

Block of Ice + 1/60 is at the Peacock Visual Arts, 21 Castle Street, Aberdeen, until Saturday. Admission free.



Excerpts from our June 13 roundtable discussion by notimetolose
August 6, 2008, 11:09 am
Filed under: artists, curating, exhibition, ideas, interactive, videos | Tags: , , , ,

Thank you to Adam Proctor and Sean James Fraser, as well as the other staff members of Peacock Visual Arts for facilitating and documenting our roundtable discussion on June 13. The following video offers a 14 minute collection of highlights from our hour-long conversation.

Feel free to keep the conversation going by posting comments!

Edit: Hmmmm… wordpress won’t let me embed the video, so here’s the url…

No Time To Lose – Artist’s Talk from 3sixty-tv on Vimeo.



More NTTL Coverage by notimetolose
July 12, 2008, 6:10 pm
Filed under: artists, contemporary art, exhibition, media coverage | Tags: ,

Reporter on all that’s hip n’ happening, Sue Carter Flinn, has once again mentioned a NTTL-related project in her very cool column, “The Dope Show” featured in Halifax’s “The Coast”.

Check it out!

The Dope Show: Arts news by Sue Carter Flinn
Project Skive, July 04, 2008

Does this sound like you? Yeah, you!

“Are you one of the many people spending too much time at work? Eating lunch at your desk? Addicted to your Blackberry and not able to switch it off, even on holiday? Peacock Visual Arts‘ new exhibition No Time to Lose is about all of this, and more.”

This link was sent to me by Winnipeg curator extraordinaire, Milena Placentile, from her exhibition, No Time To Lose, at Peacock Visual Arts in Aberdeen. Abby Schoneboom’s Project Skive looks at the creative time-wasting efforts of British white-collared workers (Skiving is slang for all the fucking around you do at work). Read anonymous reports and add your own personal favourite skives on the website. As I reported a couple of weeks ago, Halifax artist Cathy Busby is also in the show.